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It was could-be-anywhere music, sad-and-dreaming music, night-driving music of the highest order. The brainchild of songwriter Greg Gonzalez, Cigarettes After Sex released their first full-length record in June to glowing reviews.
As that guy's getting blown, Pryce swings Wilson's ideal bubble arse around and buries his tongue unfathomable into the gay teen's pink gap. Several critics have argued that the story resonates with young women because it effectively dramatizes the toll that casual, atmospheric sexism can take—the microaggressions, expectations, and slights that women deal with on an everyday basis. You could sure as hell be alienated in Athens, Georgia, which gave the scene such luminary weirdos as R.
My whole concept of love was a carefully crafted illusion built on the carefully crafted illusions of the artists I loved. She smiled, looked away, and drove me home. It was could-be-anywhere music, sad-and-dreaming music, night-driving music of the highest order. And by acknowledging that the misogyny that pervades Western culture extends to the products of that culture that have been branded as alternative or independent, we might gain a better understanding of how the art we consume has informed and reflected our ideas.
But Devon isn't the solely youthful man with an appetite for arse. It might help us talk, for instance, about what it means when the music we fall asleep to is about girls who are young, dumb, and hot as fuck, or about how when male artists make art about their mid-life crises or their battles with depression, the blame for their pain often gets displaced onto a woman. It was the best I could do.
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This fantasy might be soothing, but for whom? This is not to say that all these artists trade in thinly-veiled racism and misogyny, but rather to emphasize what I was imbibing every morning on the bus was mostly white male disaffection. Unlike the pop stars of the day, our so-called indie heroes sang about real, ugly, fickle feelings, about getting old and getting lost and feeling low for no reason.
Pryce is in ecstasy getting the deepest, hardest pounding of his life. Eventually, goes the logic of the song, this nameless woman will understand. The brainchild of songwriter Greg Gonzalez, Cigarettes After Sex released their first full-length record in June to glowing reviews. Not the messy specificities of human love but the archetypal image of self-satisfied pleasure. But then I caught myself singing these songs in the shower, and I knew a more complicated truth: they reminded me of the songs I grew up singing, of the boys I used to know and the boy I used to be.
Back then, I think my friends and I believed, on some level, that our music taste set us apart and defined us.
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About the Author John Shakespear is a musician and fiction writer from Massachusetts. Although no essay could possibly claim to speak to the glut of interwoven scenes and styles the term has come to connote, there are a few srx denominators. In the story, Robert does not physically force himself upon Margot, but his behavior demonstrates a general disregard for her preferences. But what almost no one seemed to be talking about, in those summer months before Weinstein and MeToo, was the blunt eroticism that cut through the sonic haze and the current of sexism sexx it.
The lyrical equivalent of the guy who seems nice until he has a couple drinks and gets handsy, they encapsulate a phenomenon that is bigger than any one band: a stuttering, shy-boy alternative to the brand of misogyny that parades through pop, hip-hop, rap, and punk. Once or twice, we argued about the roles that actresses like Natalie Portman and Scarlett Johansen played in films like Garden State and Lost in Translation. Bryce has an urge to pound his large bone into Devon's aperture, and that this chab does.
After years of anticipation, the night landed like an off note.
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If I thought about the hoy politics of music at all back then, I likely thought that indie was elevated above sfx crude sexism of more commercial genres. They made me wonder about us—about myself, my old friends, and all the other shy boys raised on sad songs. Then Bryce finds out just how hung Devon is, and swallows his chunky hard-on. Because my friends bly I listened to bands we considered uncommercial though many of them were on the same major labels as the pop stars we disdainedwe let ourselves think we had something on the well-adjusted kids who liked Top 40 songs about how good it was to be alive.
For so many of us, men and women alike, the dream of togetherness is first encountered in private, in front of a screen.
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We thought music could make us dirty when we were voy innocent, experienced and world-weary when really we were privileged kids who knew little and had experienced Syh less. In basements and messy bedrooms, I strove to write that honesty and rawness into my own fledgling, three-chord songs. In the vast function hall, under strobe lights and the weight of years of expectations, all the ease between us faded.
But the poetics and aesthetics of art that is largely made for and marketed to disaffected white males can offer a starting point for conversations about a kind of sexism that is still struggling to recognize itself as such.
As I listened to the album on repeat, I told myself that I was trying SShy articulate what I found so sinister about it all. I was one of those secular kids for whom music was the closest thing to religion: a source of moral and spiritual instruction, of information about the world and models for living in it.
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Hormones are jumping, causing those guys to grind their crotches and tear off one some other's jeans. I was undoubtedly one of those men who missed the point. Like many people, I peaked oby a music listener in high school.
My point is that this package—straight-guy fantasy sheathed in softness—was so familiar to me that, in spite of myself, I did find it soothing. As a genre label, indie is also notoriously nebulous, more marketing term than ifier of a particular sound; init is slapped on everything from dancefloor synth-pop to the wispiest of folk songs.
But if the message of Dr.
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It was, in short, unreal. And yes, you could be alienated you were a woman or a person of color, but your voice boh often drowned out by the plaintive cries of all those different varieties of white boy. I spent most of high school wearing hoodies, reading guys like Salinger, and thinking about a girl called Laura, whose name is not really Laura.
Our imagined advantage was a shifty, nebulous thing—call it a knowledge of the true state of things, a willingness to know dirt, a store-bought teenage lucidity. She was a good friend of mine, and she still is. This is your chance, man, they said. Sexism in indie rock and pop and the music industry more broadly, as the Grammys recently reminded us is nothing new. His writing and interviews have appeared or are forthcoming in the Boston Review and Honest Noise, and he is currently at work on boj debut collection of stories and his third solo record.
Through that understanding, we might reaffirm our commitment to being better, to hearing and making songs where nobody gets imprisoned in an imaginary opera house and nobody is titillated by the idea of keeping them there, songs that celebrate gloriously mutual love and sex, rather than the lonesome, impeccably stylish cigarette that comes after.